on Thursday to enjoy the show as late as possible.
She leads the Catalan’s local fan club on Instagram) and lined up from 5 a.m. She made me sing, she never did that with any fans! She was a beautiful sensation”, he told her Luana a teleshow, one of the three lucky ones. ‘You guys just go dance and enjoy yourself,’ they told us. “They made us come in and told us that we couldn’t touch it, that we couldn’t get close unless the dancers or Rosalía wanted to. Rosalía’s show lasted almost two hours and performed 31 songs But with the infectious “Despecha” raised spirits again and the singer invited three Argentine fans to the stage which, combined with a group of dancers, baited the public once again. It had been introduced with a few verses of “Forgive me” ( The factory), golden hit from the previous wave and then dug a hole with “Relacion”, “TKN” and “Yo x tí, tu por mí”. And the cameraman longhair is in that first line of fire.īetween her sample of flamenco roots, noise risk and pop impudence (“I am very mine, I transform myself”, she warned from the start about her style), paradoxically the block reggaeton from the show the intensity and hysteria subsided. The motomami He knows that everyone here is dying to capture the best possible moment with their mobile, so he plays with it, giving kisses and mischievous looks as souvenirs. “ The camera and she fuck”, a girl in the front field audience thought aloud at the suggestive gestures in the performance of “Delirium of Grandeur”. The other key co-protagonist was a boy who has the best job in the world: equipped with a film camera, he transforms into a fly and chases Rosalía at almost every moment, coming between her and the audience in search of close-ups that they are printed as a virtual stamp on the screens that framed the stage. And in the absence of analog weaponrya maximalist setting, stripped but molded in the image and likeness, reinforced concept and performance with theater dance paintings, ideal support even in still unreleased songs like “Aislamiento” and the strident “Dinero y libertad”.
When it occurred to some to ask for silence in the first verses of the porn ballad “Hentai”, she from the piano and silhouetted on a country wallpaper, discarded the solemnity to enable popular singing in the other of the only two moments of the night in which he manipulated an instrument other than his vocal cords.Īt all times, Rosalía leaned on her dance bodyĪt all times, Rosalía leaned on her body eight dancers in mood contemporary queer to which she gave prominence at different times, such as when they formed a human motorcycle for her to ride, of course, “Motomami”, or when they blew kisses at the camera taking charge of the verses of “Linda”. So much so that at times music and voice the great pop beast current something was left blurred and below the screaming.īut that didn’t matter to the star on the contrary, he harangued him. The growing hysteria that Rosalía has been generating since she burst onto the scene crystallized again in the porteña stop of the Motomami World Tour with the intense attitude of the most fanatical public of the Catalan. Thus, until almost the end of the recital, he crowned his outfits bluish of probable stewardess street fighter in stripped buccaneers.
#THE CAMERAMAN MEME FREE#
And then she gave special & essential attention to women by tying the green scarf around his neck in favor of legal, safe and free abortion that was thrown at him from the field, later celebrated with an increscendo twerking, from the ground, in “La Combi Versace”. After interacting with her people for the particular dictionary of “Abcdefg”, she shouted some verses of “ Alfonsina y el mar” (“It was one of the first songs I learned”, counted). First, she donned a national flag gifted to her by a fan before getting extensions cut and makeup cleaned at “Diablo’s” hellish barbershop. Later, he released other winks for the Argentine public. In the show, Rosalía is accompanied by a body of eight dancers in a contemporary mood
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